The PA gear was the only Kasino gear that had built-in spring reverb, the guitar amps were much less fancy than the Kustoms. Kasino PA consoles like yours came out a few years later, and were designed to compete with Sunn and Acoustic Control gear. Tonally, if you plug a Strat into one of those behemoths, it's like an icepick in your ear! The sales brochures from them show a wall of Kasino amps all interconnected to form a massive 2,000 watts of Kasino sound.YIKES!!! In Kustom tradition, the amps' internal electronics were built to be very reliable and easy to service. The "master" amp had 1/4" line outputs and AC power outlet receptacles on the rear panel to feed several "power modules". Then you could buy a "power module" which was the power amp and speakers, sans the preamp section. ![]() You started out with a one-piece monstrosity of an amp - preamp, power amp, and CTS speakers - in one cabinet. Kustom came out with the less frilly and lower-priced Kasino line in around 1970-71. The PA rigs were big with the travelling "showcase" acts of the day - Altec-Lansing speakers, a unique "anti-feedback" circuit design, and 1/4" Hi-Z mic inputs- as many as 16 of them - made them a hit. ![]() His unique upholstering of the amps with metal-flake Naugahyde (red, white,blue,charcoal, silver,gold, and "cascade"-a turquoise) as well as flat black, in tuck'n'roll made them hugely popular, unique, and expensive. Bud Ross started Kustom Electronics in the early-mid 60's to make RADAR GUNS !!!!! He got interested in the burgeoning rock'n'roll music biz and in around '67 started up "Kustom by Ross" to make solid-state (the transistor was his passion!) guitar and bass amps, PA systems, later on, combo organs and electric guitars.
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